The Record Shop on 8th
The familiar Hawaiian steel guitar lick from Santo & Johnny’s “Sleep Walk” drifted through the basement shop, skipping on the same scratch every thirty seconds and starting over. Outside, cold autumn rain tapped a steady syncopation against the street-level glass door. The damp, cellar-cool air kept Ian’s jacket from drying as he thumbed through a bin of imports.
“Anything new, Jerry?” he asked, pausing to check out the cover of an old Cars LP import.
“Pffft. New stuff sucks.”
“You know what I mean, Jerry.”
“Box just came in. The dregs of an estate sale,” Jerry said and plopped a big box down on the sales counter. He grabbed a box knife and sliced a line down the packing tape, the flaps flying open. Inside sat an assortment of mostly unlabeled LPs and EPs, generic white sleeves with corners bent from wear. “Well this looks like crap.”
Ian tucked the Cars record under his arm and sidled up to the sales counter, sitting on one of the retro stools with the shiny red leather, scratches exposing the yellow padding within. Jerry flicked the lever on the vintage RCA console, cutting the steel guitar mid-slide. He nudged the carton across the counter toward Ian, “Here. Do the honors.”
Ian pulled a nameless 7-inch from its bent paper sleeve. He set the black disc on the turntable spindle and switched on the motor. The rubber platter spun, the tonearm floated inward, and the needle dropped into the lead-in groove with a hollow pop. A sluggish bassline rolled out for two bars—then, without warning, a wall of blown-out Japanese noise-rock and screeching distortion blasted from the shelf speakers.
“Oh god!” Jerry screamed, scrambling to turn it off.
Ian and Jerry held eye contact for a few moments before being overcome with laughter.
“That was…that was something,” Ian said.
“Ok. My turn.”
Jerry lifted the Japanese import off the platter and tossed it aside. Reaching back into the carton, he cued up the next nameless lacquer disc. Through a warm hiss of surface noise and the hollow room tone of an open living room, a tinny 8-bit synthesizer chirped its melody through the speakers.
“Sounds familiar. Like a video game. Horrible recording quality though. Can barely hear it,” said Ian, straining to listen to the speaker.
Through the static, a young boy’s voice piped up, “There’s a hidden passage. Yeah, go that way. There’s a one-up somewhere over there.”
“Oh, cool,” a slightly older voice replied.
Ian froze, his hand pausing on the counter edge.
The sound of a doorknob turning followed by a woman’s voice surrounded Ian and Jerry, “Brought you boys some cheese and crackers. Figured you two could use a snack.”
“Thanks, mom!”
Jerry depressed the stop button with an audible click, the arm lifting from its playing position. “That’s weird. Home recording, I guess.”
“Can I have that?” Ian was trembling as he reached into his back pocket.
“Why would you—”
“Just. How much?”
“Hey, you can have it, man.”
Ian hopped up from the stool and picked up the record, sliding it back into its sleeve. He tucked it under his jacket and started ascending the stairs.
Jerry noticed the Cars LP sitting on the counter. “Hey, did you still want—” but the door had already opened and shut, sending a burst of cool rainy air inside before it dissipated into the humid air of the record shop.